One of the things that I enjoy about the sound of the concert band is the variety of timbres the ensemble can play. There is a lot of versatility within the ensemble. When one expands the percussion section, applies various mutes to the brass, or extends the instrumentation with contrabassoon, contrabass clarinet, or bass and soprano saxophone it just deepens the richness of the medium. No dissenting today… I’m feeling musical…
I feel in the last 20 or so years the concert band medium has started to really reach its potential musically. There are so many excellent composers writing for the ensemble. I was thrilled to see more composers from Asia, Europe, and Australia being published and marketed in the United States. I was even more excited to see programs becoming more diverse as conductors were programming music by these colleagues from all over the globe. All of this new literature is exciting, but what about our classic pieces that define the original concert band sound? What about our “pops” literature or marches? This is great material for a community band or the band ensembles at the college that are made up of non-music majors.
Do our young band conductors know the classics like they know the awesome contemporary literature? We band people like our new stuff. The Midwest Band and Orchestra Clinic promotes the new stuff. I’m just wondering what about the old pieces that are great tools for developing the classic concert band sound? What would you consider as the classics? I’m going to share my accessible list of pieces of the repertory pre-1975 (50 years or older.) What I like about doing a list like this… I have so many friends who would say… You missed this one… I probably did, but I’m only including the ones I have conducted or remember conducting. This gave me a manageable list to work with and it still took a few hours.
This first list is for a smaller or developing band. A few of these I did with groups as small as 20 players. A couple others I did with my community bands because they are very musical pieces.
Developing Band
- Air for Band-Frank Erickson (Grade 2) Bourne
- Alleluia Laudamus Te-Alfred Reed (Grade 3.5) Hal Leonard
- America the Beautiful-arr. Carmen Dragon (Grade 3.5) Alfred
- Bandology-Eric Osterling (Grade 3) Carl Fischer
- Blessed are They-Brahms/Beuhlman (Grade 3) Ludwig Masters
- Festivo-Vaclav Nehlybel (Grade 3) Alfred
- Flourish-Ralph Vaughan-Williams (Grade 3) Oxford
- Il Re Pastore-Mozart/Barnes (Grade 3) Ludwig
- The Impresario-Mozart/Barnes (Grade 3) Ludwig
- Military Escort March-Bennett(Fillmore)/Fennell (Grade 2) Carl Fischer
- Military Symphony in F-Gossec/Goldman (Grade 3) Presser
- New Comrades March-Teike/Fennell (Grade 2.5) Presser
- Overture for Winds-Charles Carter (Grade 3) Bourne
- Prometheus Overture-Beethoven/Barnes (Grade 3.5) Ludwig Masters
- Salvation is Created-Tchesnokov/Houseknecht (Grade 3) Kos
- Sine Nomine-Vaughan Williams/Houseknecht (Grade 3) Carl Fischer
- Sussex Mummer’s Christmas Carol-Grainger/Goldman (Grade 3) Schirmer
- Three Ayres from Gloucester-Hugh Stuart (Grade 3) Shawnee
- Variation Overture-Clifton Williams (Grade 2) Ludwig Masters
The more professional pieces that I included here were all with my community college band or city band. I was really proud of the work we did together. Yes, there are “Pops” things here. They are still excellent pieces and fun to play. My community college band performed in an art deco theatre when we outgrew our space on campus. There was a theatre organ there and we had an organ student on campus. So… we had to do a couple of pieces… That was fun!!!
Advanced Band
- American Salute-Morton Gould/Lang (Grade 5) Alfred
- American Overture-Joseph Wilcox Jenkins (Grade 6) T. Presser
- Armenian Dances Part 1-Alfred Reed (Grade 6) Sam Fox
- Chester-William Schuman (Grade 5) Presser
- Christmas Festival-Leroy Anderson (Grade 4) Alfred
- Chorale and Shaker Dance-John Zdechlik (Grade 5) Kjos
- Country Gardens-Grainger 1918/1990 (Grade 4) Schirmer
- Elegy for a Young American-Ronald Lo Presti (Grade 4) Presser
- Elsa’s Procession to the Cathedral-Wagner/Cailliet (Grade 5) Alfred
- Emperata Overture-Claude T. Smith (Grade 4) Barnhouse
- Fanfare and Allegro-Clifton Williams (Grade 6) Alfred
- Fantasies on a Hymn by Haydn-Norman Dello Joio (Grade 6) Hal Leonard
- Festive Overture-Shostakovich/Hunsberger (Grade 6) Schirmer
- First Suite in E-flat-Gustav Holst/Matthews (Grade 4) Boosey and Hawkes
- Folk Song Suite-Ralph Vaughan-Williams (Grade 5) Boosey and Hawkes
- George Washington Bridge-William Schuman (Grade 5) Schirmer
- Grand Serenade for an Awful Lot of Winds and Percussion-PDQ Bach (Grade 4) Presser
- Immovable Do-Percy Grainger (Grade 5) Schirmer
- Incantation and Dance-John Barnes Chance (Grade 5) Boosey and Hawkes
- Irish Tune from County Derry-Percy Grainger (Grade 4) Schemer
- Light Calvary Overture-Suppe/Fillmore (Grade 5) Carl Fischer
- Lincoln Portrait-Copland/Beeler (Grade 6) Boosey and Hawkes
- Lincolnshire Posey-Grainger/Fennell (Grade 6) Ludwig Masters
- Marriage of Figaro-Mozart/Slocum (Grade 5) Alfred
- Nutcracker Suite-Tchaikovsky/Hindsley (Grade 6) Hindsley Pub.
- Polka and Fugue from “Schwanda the Bagpiper”-Weinberger/Bainum (Grade 5) Associated
- Russian Christmas Music-Alfred Reed (Grade 5) Alfred
- Satiric Dances-Norman Dello Joio (Grade 5) Associated
- Second Suite in F-Holst/Matthews (Grade 4.5) Boosey and Hawkes
- Shepherd’s Hey-Percy Grainger (Grade 4) Carl Fischer
- Suite of Old American Dances-Robert Russell Bennett (Grade 5) Hal Leonard
- Symphonic Dance #3-Clifton Williams (Grade 5) Alfred
- Trauersinfonie-Wagner/Leidzen (Grade 4) Schirmer
- Variations on a Korean Folksong (Grade 5) Boosey and Hawkes
- Victory at Sea-Rodgers/Bennett (Grade 4) Hal Leonard
The marches that I’ve selected were pared down from about 60 marches that I consider excellent pieces. I chose a couple of the standard marches, but I also chose some favorites that are a little lesser known. My community college band never played a recessional for graduation. We played marches instead. Pride of the Wolverines was one of my favorites to do for a recessional.
Marches
- American’s We-Henry Fillmore (Grade 4) Carl Fischer
- Barnum and Bailey’s Favorite-Karl L. King (Grade 4) Barnhouse
- Bullets and Bayonets-Sousa/Fennell (Grade 4) Ludwig Music
- Children’s March-Grainger/Erickson (Grade 4) G. Schirmer
- Commando March-Samuel Barber (Grade 4) G. Schirmer
- Crown Imperial-Walton/Duthoit (Grade 6) Boosey & Hawkes
- Easter Monday on the White House Lawn-Sousa/Rogers (Grade 4) Southern
- His Honor-Henry Fillmore (Grade 3) Carl Fischer
- Hosts of Freedom-Karl L. King/Paynter (Grade 3) Barnhouse
- The Klaxon-Henry Fillmore/Fennell (Grade 3) Carl Fischer
- Lads of Wamphrey-Grainger/Krienes (Grade 4) Carl Fischer
- March of the Belgian Parachutists-Leemans/Wiley (Grade 3.5) TRN
- Minnesota March-Sousa/Fennell (Grade 3) Sam Fox
- Moorside March-Holst/Jacob (Grade 5) Boosey and Hawkes
- Nobles of the Mystic Shrine-Sousa/Fennell (Grade 3) Alfred
- The Picadore-John Philip Sousa (Grade 3) US Marines PD
- Pride of the Wolverines-Sousa/Fennell (Grade 3) Alfred
- Sabre and Spurs-Sousa/Fennell (Grade 3) Alfred
- The Sinfonians-Clifton Williams (Grade 4) Hal Leonard
- Washington Grays-Grafulla/Fennell (Grade 4) Carl Fischer
- Washington Post-Sousa/Fennell (Grade 3.5) Carl Fischer
Now, for my music friends… What would you add to this list. Remember the rules. 50 years of age or older….
Leave a comment