The Concert band sound

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One of the things that I enjoy about the sound of the concert band is the variety of timbres the ensemble can play. There is a lot of versatility within the ensemble. When one expands the percussion section, applies various mutes to the brass, or extends the instrumentation with contrabassoon, contrabass clarinet, or bass and soprano saxophone it just deepens the richness of the medium. No dissenting today… I’m feeling musical…

I feel in the last 20 or so years the concert band medium has started to really reach its potential musically. There are so many excellent composers writing for the ensemble. I was thrilled to see more composers from Asia, Europe, and Australia being published and marketed in the United States. I was even more excited to see programs becoming more diverse as conductors were programming music by these colleagues from all over the globe. All of this new literature is exciting, but what about our classic pieces that define the original concert band sound? What about our “pops” literature or marches? This is great material for a community band or the band ensembles at the college that are made up of non-music majors.

Do our young band conductors know the classics like they know the awesome contemporary literature? We band people like our new stuff. The Midwest Band and Orchestra Clinic promotes the new stuff. I’m just wondering what about the old pieces that are great tools for developing the classic concert band sound? What would you consider as the classics? I’m going to share my accessible list of pieces of the repertory pre-1975 (50 years or older.) What I like about doing a list like this… I have so many friends who would say… You missed this one… I probably did, but I’m only including the ones I have conducted or remember conducting. This gave me a manageable list to work with and it still took a few hours.

This first list is for a smaller or developing band. A few of these I did with groups as small as 20 players. A couple others I did with my community bands because they are very musical pieces.

Developing Band

  1. Air for Band-Frank Erickson (Grade 2) Bourne
  2. Alleluia Laudamus Te-Alfred Reed (Grade 3.5) Hal Leonard
  3. America the Beautiful-arr. Carmen Dragon (Grade 3.5) Alfred
  4. Bandology-Eric Osterling (Grade 3) Carl Fischer
  5. Blessed are They-Brahms/Beuhlman (Grade 3) Ludwig Masters
  6. Festivo-Vaclav Nehlybel (Grade 3) Alfred
  7. Flourish-Ralph Vaughan-Williams (Grade 3) Oxford
  8. Il Re Pastore-Mozart/Barnes (Grade 3) Ludwig
  9. The Impresario-Mozart/Barnes (Grade 3) Ludwig
  10. Military Escort March-Bennett(Fillmore)/Fennell (Grade 2) Carl Fischer
  11. Military Symphony in F-Gossec/Goldman (Grade 3) Presser
  12. New Comrades March-Teike/Fennell (Grade 2.5) Presser
  13. Overture for Winds-Charles Carter (Grade 3) Bourne
  14. Prometheus Overture-Beethoven/Barnes (Grade 3.5) Ludwig Masters
  15. Salvation is Created-Tchesnokov/Houseknecht (Grade 3) Kos
  16. Sine Nomine-Vaughan Williams/Houseknecht (Grade 3) Carl Fischer
  17. Sussex Mummer’s Christmas Carol-Grainger/Goldman (Grade 3) Schirmer
  18. Three Ayres from Gloucester-Hugh Stuart (Grade 3) Shawnee
  19. Variation Overture-Clifton Williams (Grade 2) Ludwig Masters

The more professional pieces that I included here were all with my community college band or city band. I was really proud of the work we did together. Yes, there are “Pops” things here. They are still excellent pieces and fun to play. My community college band performed in an art deco theatre when we outgrew our space on campus. There was a theatre organ there and we had an organ student on campus. So… we had to do a couple of pieces… That was fun!!!

Advanced Band

  1. American Salute-Morton Gould/Lang (Grade 5) Alfred
  2. American Overture-Joseph Wilcox Jenkins (Grade 6) T. Presser
  3. Armenian Dances Part 1-Alfred Reed (Grade 6) Sam Fox
  4. Chester-William Schuman (Grade 5) Presser
  5. Christmas Festival-Leroy Anderson (Grade 4) Alfred
  6. Chorale and Shaker Dance-John Zdechlik (Grade 5) Kjos
  7. Country Gardens-Grainger 1918/1990 (Grade 4) Schirmer
  8. Elegy for a Young American-Ronald Lo Presti (Grade 4) Presser
  9. Elsa’s Procession to the Cathedral-Wagner/Cailliet (Grade 5) Alfred
  10. Emperata Overture-Claude T. Smith (Grade 4) Barnhouse
  11. Fanfare and Allegro-Clifton Williams (Grade 6) Alfred
  12. Fantasies on a Hymn by Haydn-Norman Dello Joio (Grade 6) Hal Leonard
  13. Festive Overture-Shostakovich/Hunsberger (Grade 6) Schirmer
  14. First Suite in E-flat-Gustav Holst/Matthews (Grade 4) Boosey and Hawkes
  15. Folk Song Suite-Ralph Vaughan-Williams (Grade 5) Boosey and Hawkes
  16. George Washington Bridge-William Schuman (Grade 5) Schirmer
  17. Grand Serenade for an Awful Lot of Winds and Percussion-PDQ Bach (Grade 4) Presser
  18. Immovable Do-Percy Grainger (Grade 5) Schirmer
  19. Incantation and Dance-John Barnes Chance (Grade 5) Boosey and Hawkes
  20. Irish Tune from County Derry-Percy Grainger (Grade 4) Schemer
  21. Light Calvary Overture-Suppe/Fillmore (Grade 5) Carl Fischer
  22. Lincoln Portrait-Copland/Beeler (Grade 6) Boosey and Hawkes
  23. Lincolnshire Posey-Grainger/Fennell (Grade 6) Ludwig Masters
  24. Marriage of Figaro-Mozart/Slocum (Grade 5) Alfred
  25. Nutcracker Suite-Tchaikovsky/Hindsley (Grade 6) Hindsley Pub.
  26. Polka and Fugue from “Schwanda the Bagpiper”-Weinberger/Bainum (Grade 5) Associated
  27. Russian Christmas Music-Alfred Reed (Grade 5) Alfred
  28. Satiric Dances-Norman Dello Joio (Grade 5) Associated
  29. Second Suite in F-Holst/Matthews (Grade 4.5) Boosey and Hawkes
  30. Shepherd’s Hey-Percy Grainger (Grade 4) Carl Fischer
  31. Suite of Old American Dances-Robert Russell Bennett (Grade 5) Hal Leonard
  32. Symphonic Dance #3-Clifton Williams (Grade 5) Alfred
  33. Trauersinfonie-Wagner/Leidzen (Grade 4) Schirmer
  34. Variations on a Korean Folksong (Grade 5) Boosey and Hawkes
  35. Victory at Sea-Rodgers/Bennett (Grade 4) Hal Leonard

The marches that I’ve selected were pared down from about 60 marches that I consider excellent pieces. I chose a couple of the standard marches, but I also chose some favorites that are a little lesser known. My community college band never played a recessional for graduation. We played marches instead. Pride of the Wolverines was one of my favorites to do for a recessional.

Marches

  1. American’s We-Henry Fillmore (Grade 4) Carl Fischer
  2. Barnum and Bailey’s Favorite-Karl L. King (Grade 4) Barnhouse
  3. Bullets and Bayonets-Sousa/Fennell (Grade 4) Ludwig Music
  4. Children’s March-Grainger/Erickson (Grade 4) G. Schirmer
  5. Commando March-Samuel Barber (Grade 4) G. Schirmer
  6. Crown Imperial-Walton/Duthoit (Grade 6) Boosey & Hawkes
  7. Easter Monday on the White House Lawn-Sousa/Rogers (Grade 4) Southern
  8. His Honor-Henry Fillmore (Grade 3) Carl Fischer
  9. Hosts of Freedom-Karl L. King/Paynter (Grade 3) Barnhouse
  10. The Klaxon-Henry Fillmore/Fennell (Grade 3) Carl Fischer
  11. Lads of Wamphrey-Grainger/Krienes (Grade 4) Carl Fischer
  12. March of the Belgian Parachutists-Leemans/Wiley (Grade 3.5) TRN
  13. Minnesota March-Sousa/Fennell (Grade 3) Sam Fox
  14. Moorside March-Holst/Jacob (Grade 5) Boosey and Hawkes
  15. Nobles of the Mystic Shrine-Sousa/Fennell (Grade 3) Alfred
  16. The Picadore-John Philip Sousa (Grade 3) US Marines PD
  17. Pride of the Wolverines-Sousa/Fennell (Grade 3) Alfred
  18. Sabre and Spurs-Sousa/Fennell (Grade 3) Alfred
  19. The Sinfonians-Clifton Williams (Grade 4) Hal Leonard
  20. Washington Grays-Grafulla/Fennell (Grade 4) Carl Fischer
  21. Washington Post-Sousa/Fennell (Grade 3.5) Carl Fischer

Now, for my music friends… What would you add to this list. Remember the rules. 50 years of age or older….

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